Performer and choreographer at the intersection of Contemporary Art field & dance.

She completed a Master in Contemporary Art Practices at HEAD, Geneva, in 2012. Before, she completed a Master in Anthropology and dance trainings.

The core of her artistic practice revolves around the concept of relationships, envisioned as a “poetic” and a “aesthetic” (borrowing the words of Edouard Glissant.)

She uses the language of dance as both a tool and a potential to delve into the concept of relation, seeing relationship as an ongoing process, an endless exploration and infinite inquiry. Through staged scenarios, conceived as ceremonies of bodily inter/action or fluid rituals, she aims to articulate a potential bond among living beings, including not human entities.

Inventing a poetic bodily language in order to create sensual, focal and expansive encounters, she works on developing performative spaces and speculative narratives through various forms: dance pieces, installation, films, performances, editions. All projects are driven by the desire to experience profound states of intensity with others and reimagine the potential of bodiesx together in spaces.

Most influential references come from Emma Bigé, La Ribot, Steeve Paxton, Audre Lorde, Maggie Nelson, Edouard Glissant, Simone Forti and many others. Her work draws upon a plasticity of interactions, treasuring idea of ‘fluid identity’, in order to question commonplace ideas about identities, norms and bodies.

Actually running the project centre chorégraphique ouvert à touxtes